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Even though mastering engineers use the exact same plugins as you or I, how come mastering always feels like a mystery? And unfortunately, not knowing can do more harm than good when you try to master your own mixes. Safety nets that can catch you before you make a mistake. The first option, of course, is to hire a mastering engineer. And in my humble and sincere opinion, hiring out is always a good option.

The human ear is a tricky thing. Try listening to a recording you think sucks. In no time flat, your ears will adjust. And the more involved you become, the more biased your ears and mind have become.

So it will be obvious to that engineer where your mixes need improvement. You can also have a conversation with the mastering engineer and learn how to improve your mixes on your own. However, mastering has several key differences. I call this shift in mindset The 4 Tenets of Mastering. While the tools are the same, the mindset of a mastering engineer is very different from a mix engineer.

In a mix session you have the freedom to adjust individual instruments. Does the kick need some more low end girth? Go ahead and adjust the kick with the Channel EQ.

So their low end will be boosted as well. This first tenet is super important. And it should guide you in every mastering decision you make. No mastering engineer can turn a bad mix into gold. For example, I once had to a client ask me to master their record.

Not to knock the client! But their mixes needed some help. And I knew the mixes could be better. So after some convincing they let me remix their record. When I remixed the record, it was like night and day. Which led to way better masters! At the end of the day, your masters are the final polish on your tracks. The mix is too loud for your plugins to do their thing. Which is why you should always bounce out your mixes with at least 3 — 6 dB of headroom.

That is, your stereo output never exceeds -3 dB on its peak meter. I leave about dB on my own mixes for my mastering engineer. Preferably bit, but nothing smaller than bit. The real question is what Sample Rate was your Project set at? Not so different from what you might use, right? But some processors, like Stereo Widening , might not be something you use very often. Mastering is both science and art.

Think of the Life-Saving Tips like the bumpers in bowling. I know from talking to other home producers that this step often gets skipped. Often because Mix Referencing can be a very humbling experience. These 3 references should match the musical style of your mix. Just be sure to pick mixes you love and would love your master to be comparable to. Us Logic users have no idea how lucky we are! Match EQ measures the frequency differences between two audio tracks. No audio will actually exist on this track:.

What Match EQ will do is spit out an EQ curve that estimates how your mix differs tonally from your reference:. For example, if all 3 curves show a sizeable boost of 5 — 10 dB around hz, write that down. However — these curves are not the Gospel. So compare the notes you wrote down earlier with any trends you notice between the Match EQs. If all 3 curves show you something crazy, like a 15 — 20 dB cut or boost somewhere — go back to your mix.

Something in your mix balance is way off, and needs fixing. This is a safe-guard to prevent you from using too much EQ.

Try to stick to no more than a 3 dB cut or boost anywhere. Part of the mastering process is to bring up the volume of your mix. Your goal is to be competitively loud with your reference tracks. But this can be a dicey thing. There is such thing as too loud. So much so, that broadcast and streaming companies have actually standardized what is acceptably loud.

Or to put another way, the amount of squash occurring due to compression and limiting. Pay attention to the Integrated value for each reference. Write down each value. When we think of mastering, we unfortunately think of loudness. This is a result of modern music production. The Out Ceiling should be set to When your mix exceeds 0 dB, we call this Overloading. Overloads are serious business.

When they leave Logic, the volume stops at 0 dB. This results in Digital Distortion. The Adaptive Limiter protects your mix from this distortion. But the compromise is how loud you can crank your mix until the limiter starts distorting from being squashed by the Limiter. At 0 hz, your speakers are stuck in limbo. Because every time you bypass the Adaptive Limiter, the volume of your track drops by 10 — 15 dB.

By setting the level with the Gain plugin, you can focus better on what the Adaptive Limiter is doing to your mix. Now you can confidently bypass the Limiter without any sudden drops in volume. This makes for easy comparison. Bring the faders of your references back up to 0 dB. And then bring up the volume on the Gain plugin until your track is as loud as your reference tracks. A very famous compressor for gluing together whole mixes is the SSL G bus compressor. When you think you have the Compressor pumping in rhythm with your mix, bring down the Threshold to a more reasonable level.

Shoot for no more than 3 — 4 dB of Gain Reduction. Your goal is to tighten the dynamics and percussive elements, while still allowing the mix to breath. And this can take some time.

By using a Compressor before the Gain and Limiter, you can tighten your mix dynamics. Which in turn gives your mix more room for loudness. WAV files are the highest quality files you can export without degradation.

The sample rate and resolution above are the standards for mastered files. Dither is necessary when you export. But you should only add Dither at the very end. Reducing sample rate and bit depth reduces the quality of your mastered file. Dither is a way to combat these side effects. There are different shapes and sounds to Dither, which Logic provides us with.

Give each a try to see if you prefer one over the other:. It gets pretty science-y when it comes to downsampling and dither. My goal for this post is to give you the tools you need without the science. So just know these are the standards and expectations. That was a ton of info. And honestly, it only scratches the surface for mastering. But the 6 life-saving tips can save you from some serious mistakes.